that vampire movie
Ch has left grooveshark open on his computer off to the left, further back in my field of vision. From the free version ad block all long the right side of the screen stares the alleged heartthrob vampire guy from those Twilight series. I was waiting for a page to load on my screen, about to turn off his monitor because vampire guy was distracting/staring at me, and I found myself asking the question, “why?” “is there anything unique about this romance, etc, genre film?”. I mean you get all the vampire romance crap in the Vampire Chronicles, but those are a little deeper, so not as much highlight on the ‘couple from 2 different worlds’ stuff. hmmm. the 2 extremes of, let’s say, like the Wyrm and Gaia, meeting each other and connecting, as the sharp distinctions between the 2 polar extremes fade, convergence. the vampires are the Wyrm, technology without spirit, intellect without moral. The heroine is Gaia, Mother, Source, the rhyme within the reason, which humankind has been busy rejecting and attempting to subjugate. as humankind moves out of a darker chapter of dark chapters, the meaningful saga is the empty drone aspect (vampire dude) recognizing and realigning with Source/Gaia, readjusting the course, and getting on with things. The usefulness of lopsided analytical intellect has been outlived, recognition of diminishing returns finally dawns spectrumwide, and so on.
…now i want to watch the Dark Crystal…